Literally, we had seven years on this film. And that was just for the port, but then iconic buildings that felt romantic or beautiful or memorable. “We were looking a lot at Port Cities in terms of trying to find gateways into a country, understanding how a country welcomes people in, other immigration hubs around the world. “We saw architecture from around the world,” he shared. But NYC wasn’t the only real city that Peter Sohn and his team looked at. So everything is based on that storyline of Ember and her family's journey start to help build the city.”Īnyone whose ever been to New York City will feel its connection to Element City in more ways than one, including districts that were shaped by the culture of the immigrants who made it their home. And so what was interesting about that for fire is that if they went into a city, what would make those same sort of connections that my parents had? And making it like water, a city that was built off of water infrastructure, felt like the first sort of step of, oh, clearly visually, you could see how that might not be a great place for fire. “There were always these tiny little challenges throughout the day that made you feel like that this wasn't your home. “For a foreigner like my parents, I always remember them talking about like, oh, it was uncomfortable for them to take the subway because they couldn't read the maps in English,” Sohn continued, with Element City’s own mass transit called the Wetro, a floating train on elevated canals. That really affected me growing up… Once I thought about the elements as separate communities, I was trying to capture the idea of people that had come from other places that have gathered to create a life for themselves. All sort of poor families, but they were all from another place, and so you were just in this very rich, diverse community. “ were all in immigrant neighborhoods, and so that's all I had known. “It's something that I grew up not really understanding until I became an adult, where I really began to appreciate that, and so it was all tied from a personal experience.” In the film, Ember is the first-generation daughter of two immigrant parents who left their home behind to establish a new life in Element City with a store of their own. “My parents had come here from another place, a foreign place, to make a better life for us,” Peter Sohn explained. The history that went into Elemental and its setting was very personal to the Pixar director, who got to grow this film from concept to completion, a very different experience from his feature debut ( The Good Dinosaur). And earth lives in buildings that look like terraced farms or flowering plants. Water lives in tall, glass buildings in floating apartments that resemble Galileo thermometers. The lead character, Ember, lives in Fire Town, where buildings are made of inflammable materials or ones that are even made by fire, like ceramics, terracotta, and metal. During the press day, production designer Don Shank discussed some of the real-world physics that had to be worked out in order to create a physical space where living elements could live. Like Lucasfilm’s “Immaculate Reality” principal, Pixar’s own “Truth in Materials” philosophy had to be applied. As the city prospered, it attracted a community of fire, but the city wasn’t really built with fire in mind. The city was founded by water and earth, who came together to create a delta that would also attract air. The history of Element City isn’t presented in the film, but just like a planet in Star Wars, Pixar created one for the story.
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